I manage narrative film sets and technical grip departments, connecting artistic intent with tight logistical execution so films get finished on schedule.
Coordination of key support equipment and technical departments for narrative feature shoots.
Producing and directing independent short films with custom storyboards and production databases.
Directing lighting setups and on-set operations as Key Grip on Devil's Men feature film.
"Narrative filmmaking is a constant battle between budget, time, and creative compromise. I bridge the creative needs of the director with the physical and technical logistics on set, keeping crew members coordinated, safe, and moving fast."
A detailed look at narrative features and short film productions where I coordinated on-set logistics and crew departments.
The feature film production needed an experienced producer and production consultant to guide project workflows, coordinate schedules, train incoming crew members, and maintain rigid safety structures on set. Technical department supervision was also required to support complex camera moves.
Key Grip, Producer, & Production Consultant.
A narrative historical drama feature required multi-department logistical leadership. Pre-production casting draft logistics needed organization, and on-set camera, lighting, and electrical operations needed to run efficiently to avoid overages.
Producer, Key Grip, & 2nd AC.
A production company wanted to transition their commercial crew into narrative workflows. They required a pilot project to test upgraded camera gear, practice storyboard formatting, and train the crew in script-to-screen pipelines.
Producer, Director, & Editor.
My background bridges direct camera/lighting support and logistical department management.
Supervising lighting shapes, rigging camera mounts, managing sliders, dollies, and set safety protocols.
Sketched storyboards, organizing casting calls, running auditions, and outlining logistical drafts.
Proficient in narrative editing, basic color correction, sound sync, file organization, and final cuts.
Hands-on experience operating RED, ARRI, Sony cinema cameras, lighting packages, and power distribution boxes.
Using spreadsheet and relational structures to organize script scenes, shot counts, crew directories, and assets.
Guiding indie production assistants, student crew hires, and new department assistants in safe set operations.
Creative sensibility matched with structured on-set execution parameters.
I understand the director's visual intention (lens choices, lighting emotional tones) and the practical crew mechanics needed to set up that shot safely and fast.
I apply database logic and strict spreadsheet schedules to script breakdowns, crew scheduling, and post-production assets, eliminating set coordination lag.
Feature film sets are highly unpredictable. I bring structured, calm management to resolve equipment breakdowns, schedule changes, and logistical issues.
I have produced, directed, key-gripped, and edited films. I understand the entire pipeline and how pre-production decisions impact post-production costs.
Schedule a brief call to talk about your film project, crew needs, or logistical coordination.
